18 301 безкоштовний аудіофайл для "Bwv 850 – Prelude And Fugue No. 5 In D Major From The Well Tempered Clavier I"

Prelude in B minor (J. S. Bach, arranged by Siloti), an arrangement of Bach's Prelude in E minor BWV 855a

Diatonic scale on C.

Nocturne in D-flat Major, Op. 27, No. 2

Mazurka no. 2 in d major, op. 33

Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.

Chorale prelude BWV 686 Auf tiefer Noth schrei' ich zu dir from Clavier-Übung III, encoded in lilypond and converted into a midi file

Midi file of Chorale Prelude Christ unser Herr zum Jordan kam BWV 684 from Clavier-Übung III created using lilypond

Chorale prelude BWV 689 Jesus Christus, unser Heiland from Clavier-Übung III, encoded in lilypond and converted into a midi file

Midi file of Chorale Prelude Jesus Christus unser Heiland, der von uns den Zorn Gottes wand BWV 688 from Clavier-Übung III created using lilypond

Chorale prelude BWV 685 Christ, unser Herr, zum Jordan kam from Clavier-Übung III, encoded in lilypond and converted into a midi file

Listed by the w:United States Air Force Band at The Air Force Strings Music page as "Air", which might be confused with Air", but actually Air on the G String. From the 2000 album Collage, recorded at The United States Air Force Band Recording Facility, Bolling Air Force Base, Washington, D.C. 18-26 May, 2000. Catalogue Number BOL-0006, First Lieutenant Keith H. Bland, Conductor. Performed with 7 first violins, 5 second violins, 4 violas, 3 cellos, 1 bass and 1 accordion, according to the liner notes

Johann Sebastian Bach's Toccata, Adagio and Fugue in C major, BWV 564, in a transcription by Thomas Knox of the U.S. Marine Band, played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.

Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, II. Canzonetta (andante) Concerto in D Major for Violin and Orchestra, Op. 35, II. Canzonetta (andante)

Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, I. Allegro moderato Concerto in D Major for Violin and Orchestra, Op. 35, I. allegro moderato

Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, III. Finale (allegro vivacissimo) Concerto in D Major for Violin and Orchestra, Op. 35, III. Finale (allegro vivacissimo)

*Decade on C. 10:1 = 3986.31 cents. Limit: 5-limit. MIDI pitch bend: 79,59 (5/4 = 386.31 cents = 3986.31 - (1200*3).)

*Decade on A on C. Just: 10:1 = 3986.313714 cents. Limit: 5-limit. MIDI pitch bend: 79,59

Just major triad on C (4:5:6).

ii-V-I turnaround in C, in four-part harmony.

ii-V-I turnaround in C, in four-part harmony.

Mahler Symphony No. 5, II. Stürmisch bewegt, mit größter Vehemenz

Mahler Symphony No. 5, I. Trauermarsch

Mahler Symphony No. 5, V. Rondo Finale

Mahler Symphony No. 5, IV. Adagietto

Sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile molto espressivo

sonata no. 31 in a-flat major, op. 110 - i. moderato cantabile

Just major seventh chord on C (8:10:12:15).

D harmonic minor scale ascending and descending.

D natural minor scale ascending and descending.

D melodic minor scale ascending and descending.

Schubert Quartett-Satz in C minor, opening bars

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Subject of Bach's The Art of Fugue.

*Pythagorean minor tone on C = D- (Ben Johnston's notation). 10:9 = 182.40 cents. Limit: 5-limit. MIDI pitch bend: 47,58

Sonata no. 31 in a-flat major, op. 110 - ii. allegro molto

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (2nd Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Title/Work: Brandenburg Concerto No. 2 in F major, BWV 1047 Content: 2nd Movement: Andante (1st Record) Genre(s): Concerti grossi Author(s)/Composer(s): Johann Sebastian Bach (1685-1750) Music arranger(s): none Lyricist(s): none Performer(s): Philadelphia Orchestra Conductor: Leopold Stokowski (1882-1977) Place of recording: Academy of Music, Philadelphia, Pennsylvania (United States) 1st release date: 1929 1st recording date: 17 December 1928

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Ort: Vapsten (sameby) / Tärna (socken)

*Just major sixth on C = A. Just: 5:3 = 884.36 cents. Limit: 5-limit. MIDI.

Grave major third on C (E-), 100/81, 364.81 cents.

Grave major seventh on C (B-), 50/27, 1066.76 cents.

Grave major sixth on C (A-), 400/243, 862.85 cents.

Sonata in B-flat major, Deutsch Catalogue 960, 2nd movement.

Català: Espais de Llum Musical 2 violins, 2 trompes i baix continu Arxiu Musical de la Cateral de València Obra de Francesc Morera i Cots (Sant Mateu, 4 d'abril de 1731 - València, 17 d'octubre de 1793), compositor valencià del barroc. Va ocupar la plaça de mestre de capella de la Catedral de València.

Just Intonation Major Chord (4:5:6)

Tamo Daleko, April 1917. Columbia Phonograph Company. Audio restoration by Steven Kozobarich.